The LOEWE FOUNDATION was established as a private cultural foundation in 1988 by Enrique Loewe Lynch, a fourth-generation member of LOEWE’s founding family.
Today under the direction of his daughter Sheila Loewe, the Foundation’s mission is to promote creativity, educational programs and to safeguard heritage in the fields of poetry, dance, photography, art and craft.
The 4th edition of ceramic brussels is proudly supported by the City of Brussels. As the capital of Belgium and of Europe, Brussels is a city of creativity and cultural diversity, home to a vibrant art and design scene. Through its commitment to culture, the City supports artists, creative initiatives and events that bring people together and help shape Brussels as a leading cultural destination.
visit.brussels is the regional organisation contributing to the influence of ceramic brussels and the brussels visibility in general. visit.brussels is an organism of public interest subsidised by the Brussels-Capital Region.
Through its initiatives, the Region promotes original, attractive and high-quality programming in Brussels, and aims to support commercial vitality, the creation of links between European partners and the defence of contemporary artistic creation.
WBI is the organization responsible for the international relations of Wallonia-Brussels. It is the instrument of the international policy conducted by the Wallonia, the Wallonia-Brussels Federation, and the French Community Commission of the Brussels-Capital Region, federated entities of Belgium.
Far from constituting a mausoleum that would contribute to the canonisation of the pa-ma-trimonial heritage of French-speaking Belgian culture, the Centre, alias the vessel, is a non-prescriptive venue with an experiential vocation, a catalyst of reference for so-called Belgian contemporary creation and the artistic ecosystem in its transversality.
The Syndicat des Négociants en Art is the French professional organization representing dealers and galleries active on the secondary market, from archaeology to modern and contemporary art, operating within the French art market.
BPS22 is the Art Museum of the Province of Hainaut, named after its address, building no. 22 on Boulevard Solvay in Charleroi. Founded in 2000 and a museum since 2015, it has been a pioneer of the city's cultural revival. Its solo and group exhibitions focus on art that engages with today's social issues and cultural trends. Breaking down boundaries between styles and periods, BPS22 champions avant-garde artists and experimental projects that connect the visual arts with music, dance, theatre, performance and urban sports.
The CID – Centre for Innovation and Design at Grand-Hornu promotes contemporary design, architecture and graphic art through exhibitions and mediation activities. For the CID, innovation means moving beyond familiar ways of seeing, thinking and working. Each year, it presents three to five exhibitions: monographic shows dedicated to Belgian and international designers, and thematic exhibitions that invite visitors to imagine new utopias. A mediation programme, adapted to every audience, accompanies each exhibition.
A museum and space for art and creation dedicated to ceramics, Keramis was built on the site of the old Boch faience factory in La Louvière. Its bold, contemporary architecture incorporates an old listed building that contains three giant bottle kilns, the last of their kind in Belgium.
Keramis holds the collections of the Wallonia-Brussels Federation, the SRIW and the Province of Hainaut, and these pieces are supplemented by gifts and long-term loans from private collections such as those belonging to the Boch Keramis Foundation.
The collections also contain archived documents and testimonies as part of our work to help protect the artistic and archival heritage of the old Boch Frères Keramis factory in La Louvière.
Initiated and developed by the Atomium, the Design Museum Brussels is dedicated to design from the 20th century to the present day. More than an aesthetic and functional object, design is presented here as a reflection of the economic, social, ideological, cultural and technical dynamics of its time. Since 2015, the Plastic Design Collection has explored the use of plastic in design from the mid-1950s to today, offering a unique insight into the creative landscape of the second half of the 20th century. In 2020, the museum opened belgisch design belge, a permanent exhibition space that highlights the richness, diversity and singularity of Belgian design.
MAD Brussels, the Brussels Fashion and Design Centre, inspires, connects and guides the Brussels fashion and design industry. Beyond promoting this ecosystem, MAD stimulates and supports creative initiatives, placing innovative, sustainable and inclusive entrepreneurship at the heart of its mission. Designers can also receive support to develop their own brand. Alongside the many talents of Brussels, MAD Brussels continues to strengthen the creative identity of the capital.
